elevator to the gallows造句

• 2009, the Kunsthalle Vienna held an exhibition called " Elevator to the Gallows ".
• After serving in the military from 1955 to 1957, Urtreger would play in a club on the Ascenseur pour l'閏hafaud ( Elevator to the Gallows ) ".
• His first film, " Elevator to the Gallows " ( 1957 ), is a black-and-white melodrama about a man who commits the perfect crime only to be caught in an elevator.
• Two years later he made his international box-office breakthrough as " Julien Tavernier " in Malle's first feature film, " Ascenseur pour l'閏hafaud " ( " Elevator to the Gallows ", 1958 ).
• Almod髒ar also recommended Su醨ez watch " Elevator to the Gallows " ( 1958 ) by Louis Malle and " The Hours " ( 2002 ) by Stephen Daldry, and that she contemplate Lucian Freud's paintings.
• The film stars Maurice Ronet, Jeanne Moreau who had previously worked with Ronet and Malle in " Elevator to the Gallows "  as well as Alexandra Stewart, Bernard Noel, Lena Skerla, Hubert Deschamps and Yvonne Clech.
• Wilen came to international prominence in 1957 as a sideman for Miles Davis on the legendary soundtrack recording session for " Ascenseur pour l'Echafaud " ( " Elevator to the Gallows " ), a film by Louis Malle.
• Among those in the first row was the tearful Miss Moreau, whom he made a star in his 1957 New Wave classic " Ascenseur Pour l'Echafaud " ( " Elevator to the Gallows " or " Frantic " ).
• The film, " Ascenseur pour l'Echafaud " ( " Elevator to the Gallows " ), with its brilliant jazz score by Miles Davis, starred Jeanne Moreau as a woman who conspires with her lover to kill her rich husband.
• Among those in the first row was the tearful Miss Moreau, who he made a star in his 1957 New Wave classic " Ascenseur Pour l'Echafaud " ( " Elevator to the Gallows " or " Frantic " ).
• Their first film together, the romantic thriller " Frantic " ( also known as " Elevator to the Gallows " ), was considered one of the earliest swells of the French new wave movement Moreau soon would ride to prominence.
• She began playing small roles in films in 1949, impressing in a Lift to the Scaffold ( UK ) / Elevator to the Gallows ( USA ) " ( 1958 ), directed by Louis Malle and " Jules et Jim " ( 1962 ), directed by Fran鏾is Truffaut.
• He worked as the co-director and cameraman to Ascenseur pour l'閏hafaud " in 1957 ( released in the U . K . as " Lift to the Scaffold " and in the U . S . originally as " Frantic ", later as " Elevator to the Gallows " ).
• While Ellington scored " Anatomy, " pianist John Lewis, of the Modern Jazz Quartet, wrote music for the noir drama " Odds Against Tomorrow " and performed it with the group . ( Two years earlier, Davis had scored the French noir thriller " Elevator to the Gallows . ")
• His first feature, " Elevator to the Gallows, " made in 1957, featured a Miles Davis score and fluid camera work, creating a jazzy, dizzying atmosphere for the story of a woman, played by an actress who was minor then, Jeanne Moreau, who plots with her lover to kill her husband.
• His early dramatic film credits include : the murder thriller " Ascenseur pour l'Echafaud " ( Elevator to the Gallows ) in 1957; the risque " Les Amants " ( The Lovers ) in 1958; " Zazie dans le Metro " ( Zazie in the Subway ), a 1960 story of a foul-mouthed adolescent; and " Murmur of the Heart, " a 1971 comic tale of incest.